What can a photograph tell us about an individual’s religious beliefs and practices? A lot, according to Colleen McDannell, author of Material Christianity: Religion and Popular Culture in America. In that book’s opening chapter, McDannell unpacks a single image—a snapshot of the living room of a home built by the Farm Security Administration—to reveal how wall hangings, knick-knacks, and furniture communicate valuable (and otherwise unobtainable) information about a family’s connection to the divine, the church, and other believers.
McDannell’s analysis came to mind as my partner, Dan, and I began processing the photographic collection of the Religious News Service at Presbyterian Historical Society. The photographs in the collection are nothing like the one McDannell uses in her analysis—most of the images are photojournalistic shots of denominational gatherings, public appearances, or other religion-related activities. Nevertheless, McDannell’s larger point—that a photographic image can tell us just as much or more than the written word—still applies to this fascinating collection.
Since its founding in 1934 by the National Conference of Christians and Jews, Religious News Service (RNS) has operated as a sort of religious Associated Press, sharing religious happenings and religious takes on current events with the broader reading public.
To say that RNS’s photographic records capture every U.S. religion-related event in the twentieth-century would be an overstatement—but not a major one. The photos depict typical national and international “current events”: political ceremonies, summits, and speeches; social events like rallies, protests, demonstrations; scenes from wars and other conflicts; and the like. But they also depict specifically religious events, trends, and observances, and introduce viewers to important contemporary figures in Protestant, Catholic, and Jewish communities.
Some researchers might value this collection for its visual chronicle of major events in twentieth-century American religious history. Indeed, the collection does substantially document the history of American Protestant, Catholic, and Jewish groups during the twentieth century. But for researchers who want to move beyond this narrative usage, the collection might prove useful in raising questions. Why do the photos often document meetings between politicians and religious figures? And why do they so frequently depict those whose religious beliefs and practices make them “different”—Amish, Orthodox Jews, Catholic nuns?
Questions like these point to the real utility of a collection like the RNS photos: scholars of American religious history can take the collection itself as a historical document and consider how its composition—its foci and its lacunae—reveals Americans’ thinking about religious matters during this era. Perhaps RNS focused on political-religious interactions because so many mid-century Americans were concerned about the “dividing wall” between church and state. And perhaps photographers pursued images of the Amish, Orthodox Jews, and Catholic nuns because Americans have had (and continue to have) an ongoing fascinating with the unknowable religious “other.”
Regardless of their value to researchers, the RNS photos—from the breathtaking to the bucolic, from the horrifying to the hilarious—have provided for interesting conversations between my processing partner and me over the last month-or-so. Check out the thumbnails below for some images from our processing work. Photographs may not be used without permission from the Presbyterian Historical Society.








































































