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Does Love Lead to Madness?

Wednesday, August 25th, 2010

Some days this job seems too good to be true … and today is one of those days.  I am in the midst of processing the Rush family papers at the Library Company of Philadelphia and I will admit that I am a bit daunted by Benjamin Rush (1746-1813), a renaissance man who appears to have dabbled in an inordinate number of activities.  Upon closer examination, however, it is obvious that this man did not dabble, he did.  He was a doctor, a patriot, a soldier, a signer of the Declaration of Independence, and a founder of Dickinson College … to name only a few.  On occasion, it is difficult to remember that he was a real person.  As I process, though, I find many little indications that Rush was a real person: a father, a husband and a friend. There is note about his grandchild being stillborn, letters from his wife while she traveled to Canada, notes from his friends who valued his opinion and judgment, and criticisms of his medical treatments, especially during the yellow fever epidemic in 1793.  And then you have those who sought his advice … on all sorts of topics.

The following is a transcription of one of my favorite letters I have ever found in an archival collection.  Upon receipt, perhaps Dr. Rush laughed, or perhaps he responded with sensitivity and saw signs of madness in this fellow … certainly Rush’s work with the mentally ill is legendary, and as you can can see by the final document … in the late 1700s, love COULD lead to madness!

“Dear Sir,
I am now in a most dreadfull dilemma, will you be so favourable to give me your ingenious observations on the passion of Love, it will tend to extricate me from the dreadfull Situation.
To love and be disappointed [illegible] most unhappy dreadfull state! Advise how to forget a lady whom for years (think it not recent for it has subsisted four years) I had the most ardent passion. I enjoyed every promise and privilege, save only I can say we were not united? Teach me the noble science to forget? Teach me how to conduct myself when frequently in her company, she appearing in tryumph at my mortification.

Her company an arrow dipt in poison to my heart. How must I conduct myself? Can I hate when I once so passionately loved? Can I seek revenge? Or is it the refuge of a narrow depraved mind? Will it give any satisfaction?
Think not, Dr. Sir, my subject too frivolous for an answer, for remember what Solomon the wise man says: ‘Love is as strong as death, jealousy is cruel as the grave, the coals thereof are coals of fire, which hath a most vehement flame, many waters cannot quench love, neither can the flood drown it, if a man would give all the substance of his house for love, it would utterly be be contemned.’
Now, Sir, if you will be so kind, Mr. Cary’s Museum is where I wish to read your thoughts–if you will oblige as long as life remains a student of medicine and one of your class.”

From a quick Google search, I learned a few things … Mr. Cary is Matthew Carey (1760-1839), an Irish immigrant to Philadelphia who became a prominent publisher.  His magazine American Museum is almost certainly the one in which the Student of Medicine wished to have Dr. Rush publish his response.  He is also quoting the Song of Solomon 8:6.

Not long after finding the above marvelous letter, I found a “List of Lunatics in the Pennsylvania Hospital on May 1, 1784.”  At least two of the twelve “lunatics” listed are considered to be insane/manic because of love.  Since our Student of Medicine does not give his name, and his letter is undated, who knows?  He may be included on this list! I hope not …  I hope he wrote many more letters to Dr. Benjamin Rush and they are just waiting to be found!

Processing plans for minimal processing

Monday, March 1st, 2010

You haven’t heard much from me in the past month or so because I have been out in the field on a reconnaissance mission, so to speak.  Since the middle of January, I visited Independence Seaport Museum and Presbyterian Historical Society, and Holly joined me at The Library Company, Free Library of Philadelphia, Historical Society of Pennsylvania and Chester County Historical Society, to gather information about collections for the creation of processing plans.

Our processors do not have a lot of time to think about their processing decisions and once those decisions are made there’s no turning back.  Not to mention, we are working with students, who are learning the art of archival processing as they go and therefore do not have a lot of experience to draw from when making decisions about arranging collections.  Even so, because of the nature of the project, we need our teams to work independently.  As such, the processing plan is a very important part of our work flow.  It is completed prior to the processors’ arrival, provides them a place to start, and guides them in their decision making as they begin to divide collections into series and subseries.

I spent from one to four hours with each collection, its accession file (if there was one), and collecting biographical information about its creator(s). Taking this information (and lots of photocopies) away with me, I created processing packets.  Each collection’s packet contains the processing plan, a preliminary biographical/historical note (written by Holly or me), copies of useful documentation from the accession file, a copy of the PACSCL survey record, and copies of any historical/biographical information we found about the creator(s). The processing plan itself identifies basic information about the collection, including its date range, linear footage and container count, and a basic list of supplies needed for processing.  More importantly, the plan offers a list of proposed series and subseries as well as specific processing instructions for collections that are especially unique or potentially problematic.  For example, at the Independence Seaport Museum, numerous collections contain large numbers (1000s, actually) of rolled ship’s plans, which will present significant problems in terms of time–the students will not have time to unroll the plans in order to identify them nor will they have time to figure out how to effectively deal with them.  As such, Matt Herbison, the Director of the Library at the Seaport Museum, and I took some time one afternoon to figure out the best way to handle those collections that would enable both greater intellectual and physical access.  The systems we came up with are outlined in the processing plans for those collections for the students to replicate.

Our teams are instructed to completely read all the materials in the processing packet prior to processing.  In doing so, the teams quickly become acquainted with the collection and its creators and are made aware of the various types of records to look for and how to group them.  Additionally, through the packets students gain a sense of the historical context in which the records were created—information that they do not have enough time to uncover on their own and that we believe to be essential in understanding archives and their value.

Since the students will ultimately devote a lot more time to the collections than we can, we do allow them to adapt the processing plan as they see fit.  If they feel additional or different series are necessary to maximize the collection’s accessibility, they may make those decisions on their own.

At all the repositories I have visited thus far (there are a few more stops along the way) I have gotten quite an in depth “sneak peek” at what’s in store.  Based on my experience over the past couple of weeks, we have some exciting collections coming up that are sure to be both interesting and challenging from the perspectives of history AND minimal processing — so stay tuned!

Here are some teaser snapshots of what’s to come: