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Description in MPLP is counter-intuitive

Tuesday, February 7th, 2012

Courtney and I both felt strongly, from the very beginning of the project, that sacrificing description for speed was a risk in this project.  Although we know that every collection could still use additional work, we worked hard to make it so that the repository did not feel that additional work was necessary before they made the collection public.  Moreover, we knew from the start, that many of the collections would NEVER be worked on again.  Unfortunately, that is just how it is.

So what have we learned about description?  We learned that description takes a lot of time—in fact, that is probably the first thing we learned in this project when we tested the manual and discovered that even an experienced processor could not arrange and describe a fairly straightforward collection from start to finish in 2 hours per linear foot.  As a result, Courtney and I created processing plans that included a preliminary biographical/historical note before processing started.  In general, we have learned that it generally takes roughly the same amount of time to describe a collection as it does to arrange a collection.

I’m not going to lie … I am pro description … few things give me more professional pleasure that a beautifully crafted folder title or a paragraph in a scope and content note that I know will help a user determine if this collection is going to help them with their research.  That is the whole point—letting researchers know that we have the stuff that they need.  As a result, the PACSCL/CLIR team took it seriously.  Description is the one part of training that has probably evolved most over the course of the project.  We developed exercises to help our processors write better and more descriptive folder titles and structure notes so that they are both concise and informative.  The project didn’t have a lot of time, so we tried to make our processors think like a user and learn to quickly assess the contents of a folder.  For the most part, we are really pleased with our finding aids and I think, nine times out of ten, researchers will be able to determine by the finding aid if the collection is worth their time in looking at it.

One of the really interesting things we learned is, to me, still the most counter-intuitive.  A collection with extremely tidy existing arrangement usually results in a collection with less thorough description.  I am going to use two specific collections to illustrate this issue.

The first collection is the Dillwyn and Emlen family correspondence, 1770-1818, housed at the Library Company of Philadelphia (unquestionably one of my favorite collections in this project—as well as being one of my biggest disappointments, archivally speaking).  When I sat down to process this collection, I was really confident—the collection was 2 linear feet and was already arranged.  At one point in time, it had been bound in volumes and at another point in time, the letters were removed from the volumes and placed in very acidic folders.  Every letter had a catalog number written on the document.  While a few of the letters were out of chronological order, the vast majority of the collection was arranged very effectively; each folder containing letters from a span of dates.

This collection desperately needed to be re-foldered.  Not only were the folders highly acidic, but they were too small and some of the letters were showing a bit of damage.  I re-foldered the 130 folders in the collection which took about 2.5 hours.  Then I entered the folder list into the Archivists’ Toolkit which probably took only about 15 to 20 minutes.   So in roughly 3 hours (three quarters of my allotted time), I had the collection rehoused and the folder list in the Archivists’ Toolkit, which left me 1 hour to write a scope and content note.  Should have been easy, right? Well, no. Because this collection was perfectly arranged, I did not need to look at even one document in order to create the container list.  Moreover, the container list is not very helpful to a researcher.  All it contains is a list of dates which means that the scope and content note should be full of the subjects addressed in the correspondence.  Problem is, I did not know anything about the letters.  There was no way that I could read enough of the letters in an hour to discover all the topics addressed in the letters that will almost certainly be interesting to researchers.  I did my best—I valiantly scanned through as many letters as I could and wrote down key topics that popped up more than once or twice, and as each minute passed, my heart sank just a little more—I knew perfectly well that I could never do this extraordinary collection justice, even with twice the time.  Prior to beginning processing, I had performed my research for the biographical note and I had discovered that several authors had used portions of the collection in their published works … so I turned to them for expertise on this collection.  They wrote about only a tiny portion of the collection, Susanna Dillwyn Emlen’s bout with breast cancer.  I soaked up every bit of information in their books and included it in my scope note in order to give users the most information possible, but I feel like the project failed this collection.  Perhaps I feel this so strongly because I had been so confident in significantly improving access to it.

I have beheld the second collection, the Belfield collection, 1697-1977, housed at the Historical Society of Pennsylvania, with equal amounts of awe, excitement and horror since I first laid eyes on it.  Never have I seen such a mess of a collection—please see just a few photographs as words cannot effectively describe the condition of this collection.  Courtney and I spoke with Matthew Lyons of HSP and he said that he was not expecting much more than good box level descriptions of the contents.  Even with these reduced expectations, we thought it wise to double our forces and therefore, Michael, Celia, Courtney and I all worked together on this collection.  I am happy to say that this collection will, for quite a few series, contain folder level description, but even more than that, the scope and content note for this collection is rich, deep and full of the flavor of the four generations of family who lived at Belfield.

So why does a collection that was the biggest (filthiest) mess of all time result in a better finding aid than a small and beautifully arranged collection?   I know it is because we were forced to sift through the messy collection in order to create any order, and it is amazing how much one absorbs simply by looking at the collection.  In the end, I feel that this is one of the biggest rapid maximal processing successes of the entire project.  We took the collection from utterly unusable chaos to an order that could certainly be refined, but is beyond serviceable.

When selecting collections for a minimal/rapid maximal processing project, consider your time frames and what result you want from the project.  If you want a container list in a hurry, select a well-organized collection.  If you want fuller description, a collection that needs some arrangement will probably be the best choice.  From a purely selfish perspective, I would pick a wreck of a collection over a tidy one every time—the sense of accomplishment and success is so much sweeter than that despair I still feel when I think of Dillwyn and Emlen letters.

I mentioned in an earlier blog post that there are about 3 collections that I don’t feel enormously benefited from this project.  In every case, the collections had existing arrangement that I felt either prevented me from starting from scratch or were in good enough order that I did not learn valuable content that I could then share with researchers.

The decision to minimally process should be a collection-by-collection decision …

Friday, January 27th, 2012

Fairly early in this project, Courtney and I determined that “MPLP 2 Hours” was not going to be a wholesale success—most collections simply cannot be processed in that time frame, regardless of the shortcuts taken (our average across the board is 3.2 hours per linear foot).  And in some cases, those shortcuts resulted in a product that we did not feel was more useful to a researcher post-processing.  What we have determined is essentially this … it is difficult, if not impossible, to say that collections can be processed in a set or determined amount of time, but it is possible to make educated estimates allowing us to allocate human resources to process collections efficiently.

There are several factors that allow us to better determine a time frame for the processing of collections:  age, type of collection, and original arrangement of the collection are the three biggies. None of these factors work independently—they are all intertwined to help determine the time frame.  So, based upon the data collected for 125 collections, processors have physically processed collections with the oldest material dating from the:

17th century at an average of 4.1 hours per linear foot;

18th century at an average of 3.3 hours per linear foot;

19th century at an average of 3.4 hours per linear foot;

20th century at an average of 2.9 hours per linear foot.

Processors have processed:

artificial collections at an average of 3.6 hours per linear foot;

institutional/corporate records at an average of 2.5 hours per linear foot;

personal papers at an average of 3.7 hours per linear foot;

family papers at an average of 4.2 hours per linear foot.

Age seems like it should be the most logical factor, but in fact, it has proven to be the least certain factor in our ability to judge the time frame for processing.  We thought originally that old collections (pre 1850s for certain) would take us significantly longer to process, but this is not necessarily the case.  The age does not seem to deter us in being able to efficiently process an “old” collection.  Age does, however, quite frequently deter us from describing the collections well.  Quickly skimming for content in folders of 17th, 18th and 19th century handwritten material is not easy—and it absolutely results in less thorough description.  However, if the collection is arranged and available for research use, perhaps this is where we ask for help … as researchers use the collections, we can ask them to provide more robust description of what the correspondence, journals, etc. contain.  Finding aids CAN be iterative … especially with technology such as the Archivists’ Toolkit.  “Newer” collections may or may not be easier to process … certainly there is more typewritten material that makes it immediately easier to categorize series/subseries/folders and describe the contents of the folders more thoroughly.  However, in the end, the ease of the processing relies more heavily on the type of collection more than the age.

For this project, we have divided collections into four basic types:  institutional/corporate records, personal papers, family papers and artificial collections.  Again, there is no one size fits all … each collection is unique (is that not why archival collections are so awesome?).  Generally speaking though, an institution or company’s records can be processed most quickly, followed by personal papers and then family papers.  Artificial collections are usually the fastest or the slowest depending entirely upon the collector.  Usually, they are speedy—the collector is in love with the topic they are collecting and as a result, they arrange the collection for their own personal satisfaction and use—all the letters of a children’s book author are arranged chronologically by date sent or alphabetically by the recipients’ names.  If this is the case, the artificial collection is a dream to process and it usually requires only description.  In a few instances, however, we have found collections where the collector simply collects … they probably know that the stuff is important, but they are not organizers.  At that point, trying to create a system out of a group of randomly acquired material can be quite difficult.

Institutional and business records are usually quick and easy and this is because the functions of a business or an institution generally follow the same basic structures and are fairly predictable.  Usually, you will find financial records, minutes, committee records, administrative records, subject files, correspondence, etc.  Because the function generates the records, it is logical and easy to determine a good organizational scheme for the papers.  But as always, the collections are unique and we have found that different creators generate different levels of tidiness, logical order, and structure.

Personal papers are the next quickest to process (generally speaking), especially if the creator was involved in several major movements, careers, and/or activities.  However, the ability to efficiently process a person’s personal collection often depends upon how intermingled those pursuits are with family, friends, and work.

Family papers have been, fairly consistently, the most time-consuming collections to process.  The problems that arise with family papers that generally do not exist with personal papers are the intertwining relationships that make determining to whom a certain group of materials belong challenging, and sometimes, impossible.  When every generation in a family has a woman named Sarah, determining generations becomes a trial.   Many a day passed at the Historical Society of Pennsylvania with the following conversation: “So wait, this is Sarah Logan Wister Starr?”  “No, this is Sarah Logan Starr Blaine!”  Or:  “Here is a letter to Grandma Sarah from Sarah …does that mean it is Sarah Logan Starr Blain?”  “No!  It could be Sarah Logan Starr Blain OR Sarah Logan Wister Starr OR Sarah Tyler Boas Wister!”  Egads … I wanted to buy a baby name book for this family!  Not surprisingly, this kind of questioning takes time … lots of time.

The third main factor in determining time for processing a collection is existing arrangement.  A collection of 20th century business records thrown into boxes will take longer than a collection of 18th century business records that are housed in volumes.  A collection of family papers organized by the donor into distinct family member’s papers can probably be processed more quickly than a collection of personal papers that are completely unsorted.  I have intentionally not used the term original order which implies that the order was generated the creator.  Existing arrangement may have been generated by the creator, but in many cases, it is generated by an archivist who starts processing the collection but does not complete the project.  Unfortunately, the hardest collections to process efficiently are often collections that someone else has started to process.  Trying to understand an undocumented order that has been imposed or continue with an arrangement scheme that does not seem logical is much more difficult than imposing order from absolute chaos.  And without a questions, the collections that take the absolute longest are ones in which parts of the collection have received item level treatment.  Addressed in the next blog post will be how this type of existing arrangement affects description of collections.

So, basically what we have said here is that every collection is different and unique and there is absolutely no way to say that one time will work even within a date frame or a type of record. Our observations are backed by Greene and Meissner who say that “MPLP … advises vigorously against adopting cookie-cutter approaches … and [recommends] flexible approaches,” (page 176).  In order to make educated estimates for allocating resources, we believe that a base-line starting time frame is needed:  institutional/corporate collections should be given 3 hours per linear foot.  Based upon the existing arrangement, tack on another hour per linear foot if it is in a shambles.  If the bulk of the material is from the 18th century, tack on yet another hour per linear foot for increased perusal time which will result in more effective description.  So, in this case, your estimated processing time is 5 hours per linear foot.  Could you do it in three?  Yes, probably.  However, with allowances for age and existing arrangement, you will almost unquestionably have a better product, still at just over ½ the rate of traditional processing.

Based upon our experience, the PACSCL/CLIR project believes that the following base-line processing time estimates would work well:

Artificial collections:  3 hours per linear foot

Institutional/corporate collections:  3 hours per linear foot

Personal papers:  4 hours per linear foot

Family papers:  6 hours per linear foot

Our averages clearly show how quickly collections can be processed … but the base-line estimate with upgrades allows us to provide the best possible product while being mindful of available resources.

Historic recipes: always a great way to celebrate!

Tuesday, January 24th, 2012

At the end 2011, the PACSCL/CLIR “Hidden Collections” project gathered our processors, our repository staff, and our extraordinary helpers together to celebrate the successful completion of the project.  It was a way for Courtney and me to thank everyone who worked so hard and made this project work!

We celebrated in the beautiful Ewell Sale Stewart Library and Archives at the Academy of Natural Sciences, Philadelphia, thanks to the generosity of the archivist, Clare Fleming.  And many of our project team brought dishes, straight out of the past!  As we processed, the foodies among us took photographs of recipes we found in the collections, so it turned out that we had quite a nice pile of historic recipes to choose from when selecting our fabulous menu.  Photographs of our recipes can be found in our Flickr set Eating in the Archives.

I made five recipes and it occurred to me as I was running off to the grocery what a different world we live in from the late 1700s and 1800s.  For example, to make my five dishes, my ingredient list included the following ingredients:  butter, shortening, flour, eggs, baking powder (lots of it!), a little sugar, milk, rice and a few spices.  I tend to think of myself as rather in touch with history, but I remember sitting for a few moments staring at the list and thinking, “what of my fabulous vanilla from Mexico?  what of cocoa?  what of lemon zest?”  I also remember thinking, in a cold sweat, of what I would have to eat in the midst of December if it were not for grocery stores, airplanes, ships, railroads, commercial farms with irrigation systems, etc., bringing fresh fruit and exotic ingredients from around the world.  The cold sweat returned as I baked–I have a whole new appreciation for epicurious and cookbooks with instructions … I decided not to make “soft gingerbread” because the recipe included a list of ingredients, but no other instructions.  I am pleased to say that my braver colleague, Sarah, made the gingerbread with great success.

Now that I have talked about food (one of two conversations everyone eventually has with me–and usually sooner rather than later), I would like to publicly thank a few people:  our amazing project team; repository staff, who took us in and trusted us with their world-class collections; UPenn for hosting Courtney and me; Laura Blanchard, PACSCL staff member extraordinaire; Delphine Khanna, who is responsible for our fantastic PACSCL Finding Aids Site; Matt Herbison, who created a spreadsheet of wonder that helped make our project succeed (blog post on this forthcoming); Christa Williford from CLIR for all her support throughout the last 2.5 years; and Christine DiBella, who was responsible for the PACSCL Survey Initiative and helped me out, so much, particularly at the beginning of the project.  And finally, Courtney Smerz, who has brought her archival skill, pride of work, and enthusiasm to this project.

We have until the end of March to pull together all our loose ends and then we will leave behind this amazing project.  Thanks PACSCL and CLIR for this amazing opportunity!  I have enjoyed every minute!

Last minute holiday gift for the archivist in your life …

Thursday, December 22nd, 2011

Over the last two years, Courtney and I have had 17 graduate students work for us and we appreciated every minute of the time and energy that they extended to the project. So, as a gift at the end of their service to the project, we gave them what we like to call the Archivists’ Kit Bag (the obvious Archivists’ Toolkit being taken). We hoped that this bag of tools would make them ready for whatever job came their way–and a job came for each and every one of them!

I personally want one of these kit bags, as does Courtney and a few other repository staff members who have seen them, so if you are still looking for the perfect gift for the archivist in your life, consider putting together this bag of goodies. We bought some tools from Gaylord, but you can actually go to craft stores (Dick Blick, Michaels, A.C. Moore, etc.) to get the bulk of it, if you are in a hurry.

Our kit bags included:

  • Bone folder
  • Micro spatula
  • Mechanical pencil with extra lead and erasers
  • Eraser
  • PH Pen
  • Knife
  • Measuring tape
  • Plasti-clips
  • Gloves
  • Note book

Our original bags were made by John Armstrong, surveyor during the PACSCL Survey Initiative, but after he moved to New England, we had bags made by an artist on Etsy who is, unfortunately, no long able to make them for the price he had originally quoted.  They are waxed cotton and pretty awesome, however, a pencil case would work just as well–just make certain the bag is big enough to hold the micro spatula.

Your favorite archivist will love it!

100 Collections Processed: Rapid Maximal Processing

Wednesday, May 18th, 2011

Today is an exciting day—we have completed processing our 100th collection!  And we are feeling a collective sigh of relief emerging from our lips as we become more and more certain that we will complete the project by August 31!

So … 100 collections!  Over the next few weeks, I plan to write a few posts about what we have learned via the project.  With a hundred collections that range across 5 centuries, 4 “types” of collections, and too many topics to name, we have enough data to really talk about lessons learned!

Today, though, I want to talk about what minimal processing has meant during the project.  Thus, the first thing I am going to talk about is the term “minimal processing.”  Over the last few months, I have reread Greene & Meissner’s orginal and follow-up articles.  Their second article, which reinforces and further explains their first article states that an archivist must examine the resources available and then use them wisely to carry out the ethical/moral responsibilities of the profession:  to make collections available to researchers.  I have also reread Rob Cox’s Maximal Processing, or, Archivist on a Pale Horse.  Cox’s goals match Greene & Meissner’s (to make collections available to researchers as quickly as possible), but one of the main differences in their philosophy seems to be with regard to description.

The PACSCL/CLIR project’s current approach blends Greene & Meissner’s “minimal” physical work with Cox’s “maximal” descriptive work.  Like so many other institutions, we have created, from two amazing philosophies, a workflow that works for us.  We have borrowed liberally from both Greene & Meissner who state that MPLP does not require or recommend a cookie cutter approach to processing, and Cox who states, “the term maximal processing is intended to frame our activities in terms of our highest aspirations—to provide the maximum support for our researchers—to emphasize what we can accomplish rather than lament what we cannot,” (Cox, page 147). If we are not minimally or maximally processing collections, what ARE we doing?

Rapid Maximal Processing:

I am going to argue that we are doing “rapid maximal processing.” We are looking at every collection individually and determining, on a case-by-case basis (as recommended by Greene & Meissner), how we can provide the maximal support for our researchers (as recommended by Cox) using the available resources (which, in our case, are bare bones).  We have determined, for the most part, that we want our resources to go towards description, not physical care of the collection,  and so, we ask ourselves:  What series need more attention, what series need less?  If we do a little more with the series that we anticipate will receive the most research, what sacrifice is made when we necessarily do a little less with a series that we think provides less unique or helpful information?  Most importantly, are we using our available resources–2 hours of student processor mind and body power for each linear foot–to efficiently create the most useful and accurate guide we can?

Description in a Rapid Maximal Processing setting:

Courtney and I have seen description for the PACSCL/CLIR “Hidden Collections” Processing Project as one of the most important final products of the project.  Again, we tend to lean towards Rob Cox’s Maximal Processing where he encourages his staff to “seldom skimp on description–the Velcro of the archival world,” (Cox, page 145).  Greene & Meissner, however, state that the narrative segments of finding aids are less desired than the container lists by researchers—and that “extended narratives are created not for the users, but for the archivist authors,” (Greene & Meissner, page 213).  I believe that this may  be true, but I am not sure that the archival author should be ignored here—writing a concise and well thought-out biographical/historical note and the scope and content note is a way for an archivist to organize the knowledge and collection information that they absorbed while processing the papers and to share it with the researcher, other archivists and reference staff.  I feel that this is particularly important when the bulk of processing is done by project staff who move on after the processing is completed.

Even with brief exposure to a collection, it is amazing how much the processor learns—and as a researcher, I would want to know where the gaps and the strengths of the collection exist.  We have found that a well-structured scope and content note reinforces the logical structure of the physical and intellectual arrangement.  When training our processors, we tell them that the container list needs to have some sort of arrangement and as they organize the collection, they should think about writing the scope note.  If they cannot explain the arrangement they are imposing or that already exists, it is almost certainly not legitimate.  We also remind them that the only reason to write a finding aid is so that a researcher can find the material listed therein.  Having the processors justify their description is an important part of processing, especially in a rapid maximal processing setting.

Project Accomplishments … and what we could do better in a future project!

Student processors (who deserve so much credit in this project) have processed institutional/corporate records, personal papers, family papers, and artificial collections ranging from the 17th to 21st centuries at an estimated average rate of 2.5 to 3 hours per linear foot.  100 collections in, the project has processed 2,443 linear feet in roughly 6,000 hours.  At a traditional processing rate (8 hours per linear foot), this linear footage would have taken 19,544 hours … which is about 9 years of dedicated processing work for a full time professional archivist.

There is no question that, with possibly 3 exceptions (to be addressed in a forthcoming blog post), the collections processed by this project are significantly more accessible to researchers despite the limited amounts of time spent on them.  As I have said in every public statement (written and verbal), 2 hours per linear foot is too short a time to be allotted to collections wholesale!  The amount of time needs to be assessed, along with the level of processing, on a collection-by-collection basis.  For the PACSCL/CLIR project, every collection could use more work.  This project is ideally a first step, although in many cases, it will almost certainly be the only step taken. Despite this, I hope that archivists and users will be able to identify the true gems in each collection.  At that point, archivists can re-evaluate their available resources and make educated and use-based decisions about the best allocations for their resources.

Researchers will need to work a little harder, in many collections, to try to find the desired material—but at least they have access to the collection! Reference staff may have to work a little harder to help researchers, but again, they have access to a finding aid that will hopefully provide a framework within which to work.  In the end, though, if we look at the results of the project through the researcher’s eyes and the staff’s eyes, everyone wins!  The gains absolutely outweighs the sacrifices.  And when I think of what collections we would have cut to spend more time on a select few—it is like Sophie’s Choice!  I love them all!  If we did not work at the speed we did, the unavoidable result would be that some of these amazing collections would be sitting on shelves and researchers would be unable to use them.  Whenever I regret the speed at which we need to work, I remember that more than 100 collections will be available to the public by August 31 and I accept the limitations with a smile.

Sources:

Cox, Robert S.  “Maximal Processing, or, Archivist on a Pale Horse,” Journal of Archival Organization, 2010 November 24.

Meissner, Dennis and March A. Greene.  “More Application while Less Appreciation:  The Adopters and Antagonists of MPLP,” Journal of Archival Organization, 2011 February 26.

It turns out that business records are FASCINATING

Monday, March 14th, 2011

When I was preparing to process the Thomas Leiper business records at the Library Company of Philadelphia, I was a little less excited than I usually am—although one would think that I have learned not to judge a collection by its type (in this case, business records).  This collection is an absolute treasure trove—and will be amazingly useful for so many different researchers, especially those interested in early American business, the tobacco and quarrying businesses, workers, estate management, and the American Revolution.

There were a couple of volumes in this collection that I found particularly fascinating.  First, there are the letter books, which are largely business related, but are peppered with copies of more personal letters.  Leiper, in addition to being an intrepid business man, was also a patriot.  Based upon some of the letters, he was clearly an advocate of independence and in order to prepare for this dramatic step, he helped found and later served in the first Light Troop of City of Philadelphia.  He was actively involved in the city’s goings-on and as a result, his letters are full of news and updates on the events of the day.

As mentioned before, Leiper was quite the business man.  He owned businesses in the tobacco and quarrying fields, and as a result of his success, he purchased land for further business developments and worked extensively for improved transportation in Pennsylvania.  If that is not enough to make the collection pretty amazing, Leiper’s business interests seem to have been inherited by his descendents and some form of these businesses as well as a few new ones continued into the 20th century.  One of the volumes relating to Leiper’s quarrying business contains a roster of early American stone masons and builders.  As a historian interested in how the “common man” (and woman) lived, I was quite enthralled with volumes entitled “Wage Book” and “Work Book” which can be found with the quarrying and tobacco business records, respectively.  The quarry business is documented via the “Wage Book” which effectively shows the cost of running a business from 1833 to 1839 with information on the cost of boarding workers, wages, freight bills, vessel charges, and expenses for the business and the people who supplied services.  The “Work Book” contains information about Leiper’s workers in the tobacco business from 1776 to 1795:  their names, the type of work they performed, their hours and their wages.  Both are a great snapshot of what it was like to own a business in the 19th century and serve as a laborer in the 18th century.

All in all, this collection was a surprise for me and in the small amount of time I was able to look through the volumes, I was excited to find a few of the many hidden gems located in this collection.  Also, I love collections where I can go into the community and find remnants of their work.  The Thomas Leiper and Sons quarrying efforts live on … you can see their quarried stone at Girard College, Swarthmore College and the Leiper Church.  It would take quite an expert to locate, but apparently, his stone is also found throughout Philadelphia in curbstones and steps for city homes. We may even thank him (or curse him) for some cross-Pennsylvania roads.

Ahh, history … it is all about us … we just need to use archival collections to know where to look!

Early Philadelphia Litterateur: Elizabeth Graeme Fergusson

Monday, February 28th, 2011

Elizabeth Graeme Fergusson was such an amazing lady!  She was a poet and an intellectual whose opinions mattered to people developing the world in which we live today.  She is found not only in her own collection at the Library Company of Philadelphia, but also in the John Dickinson papers and the Rush family papers.

The Elizabeth Graeme Fergusson papers consists of six volumes of her writing.  It is probable that these volumes represent the bulk of her writing.  The content of the volumes is very indicative of who she was:  there are two volumes of poetic interpretation of Psalms, with an introductory letter explaining her project to her friend Reverend Richard Peters; two volumes of poetic translation of Fenelon’s Adventures of Telemaque, which was, according to notes within the volumes, a favorite book during her childhood; and two volumes containing a variety of writings including poetry, prose, letters and memorandum.  All these volumes include writings about topics which meant something to Elizabeth Graeme Fergusson, but the last two do so in an unstructured manner.  A poem memorializing a yellow fever victim might be next to query regarding currency.  These volumes show the lively and diverse intellect of a woman in the late 18th century.

I would love to have the chance to write all about Elizabeth Graeme Fergusson who was, as mentioned before, a truly amazing lady … but I am not going to because there is already a really good biography of her.  But to pique your interest and encourage you to read about her, let me simply say that she is a plucky figure (engaged to William Franklin, son of Benjamin Franklin, who married someone else; married to Hugh Fergusson, whose loyalty to the new United States was questioned; vilified by many of her contemporaries for her relationship with her husband; and championed by her friends in helping her regain her property after it was seized as a result of the Confiscation Act of 1778). After writing that, I am surprised there is not a film about her!

I am going to write, instead, about my discovery of Elizabeth Graeme Fergusson.  Not being an early American scholar, prior to processing this collection, I did not know anything about this woman, but now I have worked with three collections in which she is referenced or to which she contributed:  her own, the Rush family papers, and the John Dickinson papers (all at the Library Company of Philadelphia).  Together, with a few other collections at Dickinson College and the Historical Society of Pennsylvania, these collections paint a fairly complete picture of this woman’s life—far more complete than a researcher would find if accessing only her collection of poetry and writings.  For instance, examples of the legal aid provided to her by her friends in order to help restore her property after her husband’s alleged treachery is found within the John Dickinson papers.  Benjamin Rush, one of her closest friends, received letters, poems and drafts from Fergusson, which he saved and are now available for research.  The real question I have is how many more collections containing material created by or about Fergusson are still out there, unprocessed and still hidden?  Regardless, when the Library Company of Philadelphia’s finding aids are made available, researchers will have a lot more to look at when researching Elizabeth Graeme Fergusson.

Right around the time that I was processing this collection, I was on my way to a coffee shop and passed directly next to Christ Church.  As I was slowly meandering through the tombstones, I happened upon Elizabeth Graeme Fergusson’s marker.  After all the time I spent with her (intellectually speaking), I felt as if I was greeting an old friend.  I was actually a little surprised when I reminded myself that only a few months earlier, I had never even heard of her.

__________

Big plans mean big worries: John Dickinson and the establishment of this country

Monday, February 7th, 2011

Thinking about starting a new organization or a new business?  How about a new nation?  John Dickinson’s papers give just the smallest hint into what it took to create a new nation, geographically vast and ideologically diverse.  What I love about Dickinson’s papers are the notes he took about the problems that arose and required solutions.  They show that he was a thinker and a planner.  In fact, he did not sign the Declaration of Independence:  not because he believed that remaining a part of Britain was the right thing to do, but because he did not believe that America was ready to be independent.  His papers prove that he had a right to worry!

Some of Dickinson’s biggest concerns related to providing for an army of a brand new country fighting to preserve their independence … and even though I knew the story of American soldiers leaving bloody trails in the snow because they did not have shoes, I guess I never really thought about the planning that is required to determine what a new army needs. As a result, there are a lot of lists (and I do love a list) determining what food each soldier needed as well as the type of munitions necessary to succeed.

Then, after winning the war (and this collection includes a letter from Thomas Barclay telling of the peace treaty in 1783), how about paying for it?  Our founding fathers started with the Articles of Confederation and an intentionally weak federal government.   Dickinson needed to worry about changes in imports and exports.  And he really needed to worry about the foreign debt, which according to records in the collection, amounted to more than 7 million dollars in 1783 (other sources place it closer to 12 million).  I just checked an inflation calculator which tells me that that amount would be a staggering 123 million dollars in today’s money.  Perhaps that is not too much for today’s United States, but I feel sure that it was an overwhelming sum to a group just establishing themselves.  All these issues made it clear that the Articles of Confederation were not really going to work.  So, Dickinson and his colleagues wrote the Constitution.  All in a day’s work, I suppose, when your name is John Dickinson!  I like that Dickinson was a worrier … had I lived during the late 1700s, I would have felt comfortable about the future of the country knowing that someone like Dickinson was thinking about all the potential problems and coming up with solutions.

I occasionally (alright, constantly) worry about this project being completed within the time frame.  However, after working on this collection, I felt much more confident.  After all, I only have to manage the processing of 114 collections in 27 months … I don’t have to start a new county or feed an army.  So, if you ever feel a little overwhelmed by your plans, I highly recommend that you come to the Library Company of Philadelphia and look at Dickinson’s papers.  I suspect that you will suddenly feel like you can do whatever you have set your mind to do!

Art in the Archives: Doodles, Sketches, and Fine Art

Monday, January 24th, 2011

People often think of archival collections as dusty boring boxes of papers, but even if the boxes are dusty and full of paper, they are rarely (never, in my opinion) boring.  Who knows what you will find when you pop open that liquor store or candy bar box ?  One of the things that I love finding is artwork, which is very prevalent in archival collections, in varying degrees of artistic quality.  Regardless, I love it because it really allows you to see the world through the creator’s eyes.  Textual material allows you to discover the way the creator thought , but art allows you to see what they saw (or maybe not … maybe it is what they wanted to see).  Fascinating!

The kind of art that our project has revealed was created for lots of purposes:  work, clarity, creativity, and boredom (or perhaps nerves—I am a nervous doodler).  Workwise, we have found amazing sketches in the Academy of Natural Sciences Exhibit records reflecting the creation of the dioramas  with plans for the backgrounds, the foliage, and habitat.  A professional artist’s work is represented in the Thornton Oakley collection on Howard Pyle and his student.  The John H. Mathis Company records contains ship plans; and when we process the Armistead Browning, Jr. papers at the University of Delaware, we will be working with landscape plans.  Natural historians documented their scientific studies as well as amazing new things they discovered:  Pierre Eugene du Simitière and J. Percy Moore are notable examples.  The Logan family papers include some drawings that show James Logan’s interactions with the Native Americans in Pennsylvania in the early 1700s.

We also have student artists who saved their work—this is evident in the Reinhardt, Hawley and Hewes family papers, the Marvin Rosefield Keck, the Vaux family papers and Nicholson and Taylor family papers.  The artwork in these collection is far beyond amateur and both William Nicholson Taylor and Mary Vaux Walcott studied art formally.  Taylor and Keck used their considerable talents to draw humorous cartoons of the world they observed.  Mary Vaux Walcott created beautiful paintings from her experiences with the United States Board of Indian Commissions.

Others drew plans of their hopes … James Rush has amazing sketches of architectural features for a home he was building on Chestnut Street.  In John Dickinson’s papers, there are sketches of a bathtub (introduced by Benjamin Franklin) as well as plans for succeeding in a military battle.  I can only imagine how wonderful a bathtub seemed in a time when plumbing was scarce.  The Logan family papers at the Historical Society of Pennsylvania include tons of land surveys—quite beautiful … I don’t know if the Logan, Dickinson and Norris families were planning to buy land or or already owned it.

Finally we have the doodlers … and I love the doodlers!  I cannot decide if I like the doodles on the inside covers of Benjamin Rush’s financial books or John Dickinson Logan’s doodles on the list of rules for officers serving in the Civil War.  Either way, these doodles are of a most decidedly human nature … I have a strong suspicion that I, and many of the readers of the blog post, would doodle in similar situations.  Hopefully, you have not been doodling during the perusal of this post!

Ringing in the New Year … end of year report and future plans

Friday, January 7th, 2011

With the end of 2010, the PACSCL/CLIR Hidden Collections Processing Project has successfully processed 83 incredible collections! The project also had to say goodbye to 3 outstanding processors who graduated with their Library Science degrees and are therefore no longer able to work with us. We will very much miss Megan Atkinson, Megan Good and Forrest Wright (our longest-serving processor of 1 year & 2 months) and we wish them luck as they begin their “real” careers as archivists!

With the help of these three processors, current processor Christiana Dobrzynski Grippe, and former processors Leslie O’Neill, Laurie Rizzo, Eric Rosenzweig and Becky Koch, during the first 15 months of the project we’ve processed more than 1500 linear feet at an average of 2.8 hours per linear foot. Many of these finding aids are available on the PACSCL Finding Aids website, and processing at 13 repositories is complete. Garrett Boos, our Archivists’ Toolkit cataloger, has been busy too! So far he has converted 53 finding aids from paper, database or some form of Word into EAD. These finding aids are under revision and should soon be available for research!

While we feel pretty good about these numbers, there is still much to be done … starting January 11, we will begin processing again. We will be at the Historical Society of Pennsylvania, Presbyterian Historical Society, Temple University Special Collections (we are nearly finished with Temple’s Urban Archives), and the University of Delaware. We still have more than 2500 linear feet to process. (Yes, that number makes me a little sweaty—and my heart is pounding!)

However, to help us with all this work, we have hired 7 new processors. We are happy to welcome Celia Caust-Ellenbogen, Dan Cavanaugh, Michael Gubicza, Devin Manzullo-Thomas, Jenna Marrone, Sarah Newhouse, and Brian Stewart who will join our returning processor Christiana Dobrzynski Grippe. We trained these talented (and excited) processors from January 4 to 6 at the Presbyterian Historical Society, and they will jump right into the processing of collections next week … as the numbers above indicate, we do not have a moment to lose. Processing of all collections needs to be completed by August!

So, do we think that minimal processing works? YES! Absolutely—it makes collections available to researchers sooner and faster. Does minimal processing have its drawbacks? YES! Absolutely—while the task of arrangement is frequently not too tricky, thorough description is much more difficult in a minimal processing environment. To be fair, we are working with collections ranging in date from the 17th to 21st centuries—and collections with hand-written documents suffer, in minimal processing, far more than collections with typed documents. We also have a goal of processing twice as fast as minimal processing often recommends. It is very important to note that these collections are “physically processed” in 2.8 hours per linear foot, which does not include the work that was completed by the survey, or the creation of processing plans by Courtney and/or myself. It also does not include the significant amount of time Courtney and I take to edit the finding aids. Without these efforts, collections absolutely could not be processed in the time frame, and regardless, Courtney and I feel strongly that 4 hours per linear foot is a far more realistic time frame than 2 hours per linear foot—but the bigger the collection, the bigger the payoff of processing at this speed.

If two years ago someone showed me the finding aids we’ve created and told me they came from processing at a rate of 3-ish hours per linear foot, I would not have believed it. Our project—and specifically, our processors—have not only adopted the spirit of minimal processing, but have also been working at breakneck speed. Courtney’s and my role has been to provide double (and triple) checks to the process, guaranteeing the highest-quality product in the time allotted. I cannot express how incredibly proud and appreciative I am of every member of the project team for their hard-work, dedication and excitement in the process of making collections ready for research.

Overall, I am happy to say that, with only one or two exceptions, every collection has significantly benefited from our work. If these collections had been traditionally processed, many of them would still be sitting on shelves untouched and unavailable to researchers. At the end of training yesterday, we asked our new processors if they felt that the collections on which they worked had been minimally processed and they all answered yes–they had not had the time to look at every item in the collection and did not feel that they had absolute control over the contents of the collection. However, when asked if their collections were more intellectually and physically accessible after processing, they all responded with a resounding, “Yes!” I am absolutely confident that researchers will be able to use these collections in their minimally processed state, and since making hidden collections accessible to researchers is the goal of this project, I am happily claiming this project as a success!